blackcontemparta ar for art by and about people of afri descent. This tumblelog go not case the legal rights to any of these images. This tumbelog was initiated by museummammy in 2011 and features articles by whitedevilsophistry, xaymacans, ranaa, lurkinglate, and others.this katifund.org cases no rights to any of these images. If you"d favor to have your occupational removed or amended please call us. • BLACK resides MATTER• sample submission• arts blogs* and katifund.orgs• black color artists on katifund.org• facebook | twitter• press• events• call • any questions? • send


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chickenbonethrone:

Kerry James Marshall

A Portrait that the Artist together a zero of His former Self, 1980

3:51pm•7April2019•20,508 notes


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Amy SheraldThe lesson of fallout’s leaves, 2017Collection:The Museum of contemporary Art, Los Angeles

(Source: moca.org)

1:01am•30March2019•473 notes


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Senga NengudiR.S.V.P., 1975Collection:The Museum of modern-day Art, Los Angeles

Though Senga Nengudi’s R.S.V.P. Is abstract, its develops suggest a human body or human body parts—limbs, breasts, buttocks, appendages, wombs. Store-bought nylon pantyhose filled with sand, knotted, stretched, and tacked come the wall mimic the elasticity that skin, soft at life’s beginnings and also then sagging through age and also strain. The is an especially piercing that the crotch the the pantyhose, splayed out vulnerably at the sculpture’s center, bears dramatic forces of tension and also suspension. The social associations the the hosiery and also its color identify the body alluded to together black and feminine. Yet the body in question additionally belongs come viewers: the location of the work, a frequently used French acronym, entreats viewers come “please respond.” Nengudi commonly used she R.S.V.P. Series in choreographed performances, whereby the sculptures offered as restraints, props, and also costumes.

12:57am•30March2019•176 notes


Remy JungermanPeepina adversary Maroon A8 (and detail), 201127,5 39 inch (70 x 100 cm)

7:14pm•6January2019•200 notes


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Thierry Tian Sio PoL"image de l"occidentale dans la peinture caribéenne, 2010, 120x 150, Acrylique, aluminium, tôle, terre, vernis sur toile

8:47am•4January2019•280 notes


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Manuel MathieuIrma, 201790" x 75"

8:21am•4January2019•84 notes


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Victoria Santa Cruz(Peru 1922-2014 Peru)Still native Me gritaron negra (They shouted black color at me), 1978Documentation that performance, excerpted native the documentary Victoria–Black and also Woman, 1978. Director: Torgeir Wethal; producer: Odin Teatret movie Video. Video, black and white, sound; 3:58 min. OTA-Odin Teatret Archives

12:54pm•20November2018•439 notes


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Sonya Clark (Born 1967, Washington, D.C.)Twenty-one, 1998Cloth and also thread5 ¼ x 28 inchesCollection: Cranbrook arts Museum

12:26pm•20November2018•502 notes


Close to the Edge: The bear of Hip-Hop Architecture

Curator: Sekou CookeCenter for Architecture, new YorkOct 01, 2018 to january 12, 2019

Images:PHAT (Nathaniel Belcher, Stephen Slaughter), Harlem Ghetto Fabulous, 2003. Courtesy the the artists;Delta, Exothermic, 2010, Eindhoven, Netherlands. Courtesy of the artists; andOlalekan Jeyifous, surface ar Armatures, 2014, Brooklyn. Courtesy that the artist

12:24pm•20November2018•145 notes


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blackreconstruction:

Hank Willis Thomas, Scarred Chest (2003).

(Source: marxwasblack)

12:37pm•10September2018•474 notes


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chikuwaq:

Frank Bowling, Greenacross I, 2009. Acrylic paint and also gel ~ above paper.

(via nyctaeus)

7:24am•16June2018•737 notes




See more: Nothing Takes The Place Of You By Isaac Hayes From Black Moses

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blackflyzine:

By Kandis Williams

(via manufactoriel)

10:38am•25April2018•999 notes


xaymacans:

‘Graft and Ash for a Three-MonitorWorkstation’ (2016) | Sondra Perry